results of a plein air teaching day at Great Chalfield. I was able to start a painting as others painted.

Kupumzika kwa amani Nelson Mandela

CORN STOOKS (Stacks?)

Hooray! Just heard this painting won the "Purchase Prize" in the  Oexmann Painting Competition /Exhibition which is a biennial event, held at Devizes Museum.   The exhibition will be hung in the Museum Gallery and  runs from 28th October....
(it is encouraging to get one's work officially noticed from time to time._

Corn Stooks

This painting below that was done first, over two consecutive days. In fact I laboured a bit over this, all those random stacks, getting them roughly in the right position, (missing out some as well) - painting in the dense Copper Beech was a bonus, I love those trees but it's not easy to find  a good position to paint them as being rather ornamental they are usually on private land. I had to put the Pylon in, these march everywhere across the landscape in Wiltshire.
The farm owner lady came by to say hello, and complimented me, saying she thought it looked 'Beautiful'. I didn't want to tell her of my doubts on that.  Then feeling slightly buoyed up by her positive words, as I was about to pack up but  I though I ought do a fast one of a stack, so got stuck in painting the one above very freely and fluidly, and it was soon done.
I wish It was always that quick and easy. 

Corn stooks, copper beech under pylons

Below - Another painting with characteristic pylon - entered in the same exhibition 2 years ago. It was painted at the end of February, there was a morning frost, but as the weak sun penetrated the thinning cloud, the light was beautifully delicate, and  it felt like a hint of Spring, after a long unusually cold winter..

Princes Bridge & St Mary Radcliffe spire, Bristol Dock

 The paintnigs below were made specifically and entered for the Bristol Art Prize 2013
The light was often so interesting, but changeable I therefore decided to do two frame together and show them as a Diptych. 

      

  I quickly blocked in the basics sitting at the harbour  ......
.... and nearly got blown into the water, and all the equipment too  during the second sitting the following day,

These received a "Highly Commended" tag, but sadly that doesn't come with a useful ££Prize.
However congratulations to the winners, there were some worthy paintings.

Bristol Dock,

Bristol Dock, with Princes Bridge in the distance, my designated place in the Bristol Art Prize 2013 competition. This is quite large for a plein air painting - 34" x 18" (86cmx46cm). I spent three good sessions there
There a re still bits to improve though it has just been uploaded, submitted to the competition . Competitions are a weird process. Still, worth a try....

Cloud Study from Redhorn Hill

A STORM CLOUD OVER WILTSHIRE

This  180deg scenic view is comprised of five photographs stitched together - taken from the escarpment of Salisbury plain, from Redhorn Hill above Urchfont. It was  a slow moving scene,  so I tried to paint it but at the same timeI realized my puny 14" x 10" painting  board would not capture the grandure. I'd only just managed to get a little of the scene downbefore being  driven to shelter by  a stormy downpour. .
The result is I've bought more 3mm ply and have cut much longer format boards for future works i.e 30" x 10", Hoping I can capture something worthwhile on them   .......

Visit the larger version here on Flickr

Straw bales over Little Cheverall

Catching the late summer sun ....

 an evening or two later.

Clouds above Everleigh military base

Returning from Hungerford last Monday bank holiday, there were great cumulus clouds slowly billowing above. Recognizing a place where I'd painted before at Everleigh, I stopped and did these two.

Probably too much grass and not enough cloud

Plein Air Painting days at Great Chalfield

I am planning a series of plein air paintng days with and aim to help people  who would like to try painting directly in the landscape.
It is a very challenging way of working, out in the elements,  but the results can be so rewarding bringing fresh surprises and paintings with a sense of fresh vigour, studies of landscape which one could hardly dream up in the studio. The resulting work also is great material for developing larger paintings in the studio.
At the moment the plan is to organize the days to record the changing seasons in the outlying farm estate surrounding the National trust property at Great Chalfield.