Plein Air Painting days at Great Chalfield

I am planning a series of plein air paintng days with and aim to help people  who would like to try painting directly in the landscape.
It is a very challenging way of working, out in the elements,  but the results can be so rewarding bringing fresh surprises and paintings with a sense of fresh vigour, studies of landscape which one could hardly dream up in the studio. The resulting work also is great material for developing larger paintings in the studio.
At the moment the plan is to organize the days to record the changing seasons in the outlying farm estate surrounding the National trust property at Great Chalfield. 

Wheat Stacks (Stooks)

 Quick study of sheaves, stacked in groups of eight.

10" x 12" (oil on Panel)

 

 

More Evening skies at Cheverell

As with last post, both of these were painted very speedily on the same evening.

(Oil on gesso ply  6" x 8" approx)

Evening Sky over Great Cheverell and Littleton panell

Both of these were painted very speedily on the same evening.

After the first drama I turned 90deg to my right to do the second as light faded

(Oil on gesso ply  6" x 8" approx)

AVON GORGE

Spent  a good couple of hours with Tom Hughes painting the Gorge from near Clifton Suspension Bridge.
The second work from that vantage point. The light had been good but  went a bit flat in the late afternoon.

Newgale Sands, Pembrokshire

A sunny blustery day.

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Ink drawing and Watercolour.  Partially painted with a Chinese calligraphy brush 

16" x 8" (Sold)

I'm running a day  'plein air painting' course "Painting Ancient oaks"  at Great Chalfield Manor on 22nd July, to paint mainly trees. (places are still available  - Hope the weather is  as good as today!)  
Details can also be found on my painting website www.andrewptaylor.co.uk

Two studies of the Thames : Waterloo Bridge to Blackfriars Bridge

Done last 2011, the Shard not yet finished. Both times it was extremely windy, wind gusting up the river and very hard work. These feel like they need  a lot more practise.    (Top 14" x 10"  -    Lower 12" x 10" Oil on panel)

'Evening sky with Mayflower and Rapeseed'

 'Evening with Mayflower and Rapeseed' field atop Lavington Hill, edging Salisbury Plain. There could be a lot more white may blossom on that bush but the light went suddenly, perhaps I'll still add some more.        Oil on card (10.5" x 8")

JANUARY SNOW Cows, and willow trees

The painting below had a tricky beginning. I'd forgotten my double-dipper so had to paint with pure white spirit and no oil medium - the cold and fine snow seemed to affect the texture of the paint so it felt quite dry despite liberally using the wet spirits. 

 Cows at the watertank in snow, and Willow Trees

The following day, going back to do a little more to the above, the cows proved a problem. They came right up to the  two-strand electric fence, gazing curiously at me and bellowing frequently. A bull with a ring in his nose and steaming nostrils joined them and when he bellowed he had a destinct tenor tembre to his, whereas the cows and full blown bass voices. Odd that!

Looking towards Little Cheverell

All this was unerving and I couldn't really concentrate standing two feet from the fence, with 20 ton of cattle steaming so close to my elbow, so I did the painting above, moving off about 20 ft (observing the  1ft per 1ton, safety rule:) and standing with my back to them  - still unerving and checking  behind me every now and then!! This time mislaid my rigger, an essential  brush, for lines and detail, so the painting hasn't reached  a successful conclusion.

Then I was facinated, watching a small flock of starlings flying back and forth, like they weren't sure where best to settle. It looked a primal landscape, more like from a Bruegel painting, hardly like England.