Copper Beech at Longleat

A  magnificent Copper Beech, by the car park near Heaven's Gate. Done in the last hour of fading light, I didn't quite catch the sense of light I wanted here, but somehow like the sense of 'attack' in this one. Oil on gesso panel 14" x 10".

Some Bach  to listen to ........  it helps my mental flow when working.

Jenny Asparro: Partitia no 2

Garden study with sundial, and yellow roses.

Study of a garden for a house commission

The lovely roses were just gone over with petals dropping but enjoyable to paint.

Design for a Roman style mural

Something completely different! I found this in a corner of the attic - one of two designs for an 8ft high building hoarding in North London in the area called 'Little Venice', near Regents Park Canal. This project was being planned for the hoarding of a large building site, just as the last recession hit in the early 1990's and the idea was suddenly scrapped.

 The second design, now lost, was quite different but more relevant to England; it was of a medieval type Gothic cloister, a row of wide pointed arches with pillar supports and a low wall between, (ie Salisbury Cathedral cloister, but less ornate), with views through the arches into a courtyard garden of green topiary shaped bushes and  glimpses of sculptures could be seen. I remember adding a Henry Moore style granite grey coloured statue, contrasting the medieval with something iconic of 20th century. A pity it is lost - anyway very different from the plein air work.

Cheddar Gorge with the UK Plein Air Society.

A day out painting at the Cheddar Gorge was scheduled for the UK Plein Air Society - we arrange to meet on the last Sunday of the Month, all plein air painters are welcome. Fellow painter Valerie Pirlot  and I travelled there together and  if you read her blog too you’ll  hear more of  the story of how we determinedly encouraged and cajoled  each other up the heights of the gorge  - it was very steep with heavy equipment, and the hottest day of the year.  After much climbing and  meeting decending walkers and being told it was another 15 mins to the very top, at 450ft above sea level, we went on ..... but suddenly got to a point (I guess about 350ft)where we sensibly realised any more walking in that heat and there’d be no energy to paint,  so we set up easels and got painting.

Above is my rendering of the view, over the town with the river Severn in the distance,  and a round reservoir spotted with tiny sails of people boating (they miraculously all disappeared at lunchtime - home for roast dinner - or BBQ -  then were suddenly back again in the afternoon). To our left we could see Glastonbury Tor about 9 miles away, no sound from the Festival though we listened  out for it.

Below, a photo of Valerie enjoying a well earned rest after her first painting, showing  the effect of the climb too ....

and one of me, still  hard at work, wishing I had a sun-umbrella too. 

On the way back down, with gravity on our side, we stopped for a shorter time to do another smaller painting. I settled to do an old dry stone wall falling down under a background of trees. it looked very 'Pyranese' and felt it in the heat.

                                                                         
We didn't manage to meet any of the other painters who may have turned up (Glynis Dray was one), so perhaps should be more proactive and exchange mobile numbers with those intending to come in the future.

Market Lavington, evening skies, with jet trails

Some recent evening skies from White Street Hill, at the edge of Salisbury Plain Escarpment - there's a great view North towards Devizes Bath and Chippenham. These paintings  have to be done at speed, the sky changing in minutes, in seconds even, and in five minutes can look totally different. So one arrives at an approximation of what one has seen over the brief time but really it is an attempt to try to catch the sensations of light.  It's interesting now these are laid out together, I can see certain effects working or not working so I might make minor changes to improve them.

No5.  This time used prussian blue in the lower landscape which  packs  a punch when it comes to rendering the  dark shadows.

No4 (below) One distant jet trail to the right of the sun.

 

No3 (below) 

No2 below) 

No1

 

STEEPLE ASHTON CHURCH, WILTSHIRE

All Saints Church, Steeple Ashton, over a new wheat field. (telephone lines now been added!). An impressive and ornate building for such a rural setting. I was aiming to catch something of the weather and light  this April 2011. We have had amazing weather, warmer and drier than any recorded previously since records began. "This good  weather  has lasted longer than any summer I can remember!" says my son. He can't be far wrong as far as UK sunshine goes.
You can see the unisual geological folds in the hills to the right above Westbury, and to the left these are the heights above Edington where King Alfred fought and beat the danes in 878 AD, in a final battle before making  peace.

View towards London, over Sandown Park RaceTrack

View over Sandown Park RaceTrack from Sandown View Hall. I was exhibiting my stained glass wares/portfiolio at the Christan Resources Exhibition (a sort of church trade show). The view was  a source of facination, as the light was constantly changing with bright sunlight and dark shadow on the landscape and planes flying in and out of Heathow Arport (on the left horizon), landing  approximately every 1min 15sec.  so I decided to try to paint it   - it was done in fits and starts, when visitor footfall was quiet, with the ebb and flow of people.

Roundway Hill, from Pear Tree Hill

Roundway Hill seen  from Cheveral Magna, or Pear Tree Hill, as locally called.  Oil on panel. 19" x 12"

 

SOLD

VIEW OVER THE LAVINGTONS, WILTSHIRE

View over the Lavingtons from Strawberry Hill. Capturing something of the unprescedented warm weather this April. A three week gap between starting and finishing this one. In the meantime all the foliage and rape seed had grown so had to update with a lot of colour. You  can see the two church towers of both villages

 Painting in progress. It was completed in two sessions.
Below the start of the painting two weeks earlier

ST SWITHUNS from HEDGEMEAD PARK -BATH

Painted this in two sessions, just as leafy buds were opening in April. I wanted to try catching something of the freshness of the Spring light. Painted over a couple of hours to start, from 2.00 till 4.00;  it is extraordinary how swiftly and radically the scene changes with  almost opposite light and shade effects on the buildings. The  final result indicates the day at about 3.30/4.0pm