Tuesday, October 26, 2010

HOUSE BETWEEN THE POPLARS

The house between the  'Poplar Trees'    The house between the 'Poplar Trees'. This small house is dwarfed by these trees, painted from the field space between them. There are trees behind me as well so it is well protected from the wind, although nothing but grass is growing there now. Maybe they had crops at one time but not in the last 10 years.

And some Bach ....

a'Beckett's Vinyard


'unfinished' sketches - a'Becketts Vinyard 
Not many villages  in the UK can boast of a local vinyard. This one it about 10 years old, and produces some fine wines.

Sunday, September 12, 2010

Roundway from Urchfont hill 2



Roundway from Urchfont hill 2, originally uploaded by Andrew Taylor1.

 View from the very edge of Salisbury Plain over towards Devizes which lies at the base of the far hill. Two deer walked quiet close to me (within 50 yds) before seeing me, freezing still for a moment and staring as if in disbelief, then bounding off in a flash.

Tuesday, July 20, 2010

Nr Wrexham, North Wales

 

Morning painting. Looking West from Gresford, Wrexham, North Wales.
I was up there  to hear Nigel Kennedy playing at the Llandudno Festival.


Thursday, May 20, 2010

View from the Malvern Hills

View from the Malvern Hills, early spring morning.

Roundway Hills, Devizes

View of Roundway Hill. Painted in about 15mins as rain was approaching. Got soaked just beforre reaching the car.

Sunday, April 11, 2010

APRIL EVENING SKY OVER GT CHEVERALL,
A warm evening at last

Saturday, March 06, 2010

Tuesday, February 23, 2010

Westbury from White Horse Hill


WESTBURY TOWARDS BRADFORD, From White Horse Hill. Spent longer than usual on this this morning. Just over 2 hours, Initially there were just those distant clouds. More clouds rolled in and covered most of the sky - shadows kept changing dramatically over the landscape.
I added the near clouds at the end The main quality of the view was the gradating sky so I thought that's a mistake, but now it seems to work and gives a 3D effect, leading one into the painting.